FOR RETAIL · INTERVIEW · 7 MIN READ

Boutique product tags.

A conversation with Nadia Rahman, founder of a Joo Chiat boutique, on tags that scan like a chain store and look like a studio.

Nadia Rahman, 36, runs a boutique in a Joo Chiat shophouse that carries local designers — small-batch clothing, handmade jewellery, ceramics from a studio two streets away. It is the kind of shop where every piece has a story, and where, until last year, every price tag was written by hand on kraft card, one of a hundred small jobs that ate her evenings.

We met her at the counter on a weekday afternoon, between a customer and a delivery of new stock, each piece of which was tagged and on the rack within minutes of leaving the box. The conversation has been lightly edited for length and clarity.

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Handwritten kraft tags sound exactly right for a shop like yours. What was wrong with them?

They looked right from a distance, and wrong the moment you needed anything from them. Handwriting says handmade, but it also says approximate. Customers would squint at a seven and read a nine. During our year-end sale we re-wrote three hundred tags by hand, and by tag fifty my writing looked like a ransom note. And there were no barcodes, so the till was me, remembering prices — which works until the one Saturday you hire help.

So the problem was really the stocktake.

The problem was everything, but the stocktake is what broke me. Counting a shop without barcodes means touching every piece and reading every tag. It took my sister and me a full Sunday, twice a year, and we still argued about the numbers. My accountant asked why my inventory records looked like poetry. That week I ordered the printer.

Handmade should describe the product, not the paperwork. The designers deserve tags as considered as the pieces themselves.
— Nadia Rahman, Joo Chiat

What does tagging look like now?

New stock gets a tag before it gets a hanger. The B31 prints up to 75 millimetres wide, which is enough for the designer's name, the piece, the price and a barcode that actually scans — all in the same clean type. I set up one template per category: garments, jewellery, ceramics. When a box arrives, I type the details once, print the batch, and the whole delivery is on the floor in twenty minutes. The barcode ties into the POS, so anyone can work the till — including my Saturday help, who no longer has to text me photos of tags.

And the year-end sale?

Last December I reprinted the entire sale rack — new price, old price above it — in one evening, with a cup of tea, watching a drama. Three hundred tags, every one legible. The barcodes meant the discounts were already in the till before the doors opened. It was the first sale weekend where the queue moved faster than the small talk.

Left: garment hang tags with designer, price and barcode. Right: jewellery cards tagged without hiding the piece.

A boutique lives on aesthetics. How do you keep printed tags from feeling corporate?

By choosing the finish the way you choose the hanger. For the racks I use the price tag rolls, which read as deliberate rather than industrial. For pieces that want softness — the ceramics, the linen — I use matte writable labels: the surface is gentle, and I can still add a handwritten line like last piece or seconds — kiln kiss, so the human touch survives exactly where it adds value. The machine does the accuracy; the pen does the charm.

You also seal your wrapping with labels.

Transparent ones. Every purchase leaves wrapped in tissue, and the seal used to be washi tape — pretty, but anonymous. Now it is a transparent label printed with the shop's name and the month. It costs cents, it holds the tissue closed, and it turns unboxing at home into a small second visit to the shop. Several customers have posted exactly that photo, which is marketing I did not have to buy.

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Did the stocktake improve?

The Sunday became an afternoon. Scan, count, next. My sister stopped dreading it, my accountant stopped writing me concerned emails, and I finally trust my own numbers when a designer asks how their pieces are moving — which they ask constantly, because their livelihood is on my racks. Giving a designer a clean sales report is part of being worth consigning to.

What would you tell another small retailer — a weekend market seller, a pop-up, a shop like yours?

Barcode from day one, even if you are the only person at the till; you are building the shop you will have, not the shop you have. Match the label finish to the brand — matte for soft, transparent for invisible — instead of accepting whatever the office supply store stocks. And bring the printer to the pop-up. Prices change in the field, and the seller re-tagging by hand at a market table is the one who misses the customer standing right there.

The tag is the one piece of the shop the customer takes home and reads again. It should sound like us all the way to their wardrobe.
— Nadia Rahman, Joo Chiat

Nadia prints with the B31, whose 20–75 mm width fits a designer's name, a price and a scannable barcode on one tag. Every roll mentioned in this interview is stocked locally and ships island-wide. Her tagging kit is below.